Taylor Swift Agreement
„To avoid arguing over the rights, Taylor performed three songs from his new album Lover at the Double Eleven event, as it was clear that the Big Machine Label group believed that every televised performance of catalog songs was against their agreement,“ the representative added. Paine writes: „The truth is that the Vice President, Rights Management and Business Affairs of the Big Machine Label Group took place on October 28, 2019 at 5:17 p.m. .m, Taylor Swift`s team sent: „Please note that BMLG will not agree to license existing recordings or waive its readmission restrictions related to these two projects: Netflix documentation and the Alibaba `Double Eleven` event. To avoid a rights dispute, Taylor cut out three songs from his new album Lover at the Double Eleven event, as it was clear that the Big Machine Label thought any televised performance of catalog songs was against his agreement. In addition, Scott Borchetta, CEO and founder of Big Machine Label Group, yesterday rejected the application for American Music Awards and Netflix. As Variety reported on Monday, the label has agreed to a licensing agreement with Dick Clark Productions, the company that produces the AMAs. Following the release of this first statement, Dick Clark Productions issued the following response: „At no time did Dick Clark Productions accept, produce, authorize or distribute, in partnership with the big machine label group, a statement about Taylor Swift`s appearance at the 2019 American Music Awards. Any final agreement on this matter must be concluded directly with Taylor Swift`s management team. We have no further comment. Whether it is an established artist or a new artist, it is therefore essential for any musician to fully understand all the provisions contained in the documents or documents he signs. Indeed, provided that the contract is enforceable and that the artist receives a valid consideration, that the document is binding and that the signatory is required to respect all the conditions of the contract.
When a musician is under contract with a label or publishing house, these companies usually get all rights to any material created by the musician in exchange for payment to the artist. . . .